Tokyo Modular is out on Spotify
Check it out. My latest single has been released. If you like it, please don’t forget to click the Follow button on Spotify profile. That way all my future releases will be added to your Release Radar.
My next single will be Tokyo Modular
I made some new music recently and one of the tunes is a cheeky little thing called Tokyo Modular. It will be released on the usual places on June 19th. Set your calender.
Click here to pre-save and Follow me on Spotify.
The Inbetween, new single is out on Spotify
My second single from my next future album is out today on Spotify and the other streaming services.
The Inbetween is another synth heavy dance tune from me, with the usual retro feels. The main synth sounds was created on real synthesizers which was then mangled with a selection of software plugins. If you like this tune, please make sure to click the Follow link in Spotify and then tell all your friends how much you like it. :)
100 followers on Spotify
Yay! Spotify has informed me that I now have 100 followers (actually it’s 101 when writing this).
This makes me happy, but I would lie if I would say it doesn’t matter how many followers I have. Of course it does. I would love to see some more zeroes there, like 1000 or 10000 followers. Not because I would make any more money on my music (I don’t and I wouldn’t), but because more people would actually listen to what I do.
As many small-time, non-touring musicians and producers like me know, getting followers and people to listen to your music is really hard and more of a chance happening, unless you want to spend more time promoting that producing. Sure I could do what many seem to do, pay some money to a clickfarm in India or China. I would get a higher number of “followers” but in the end it would all be fake. It’s just a trumped up value and not an actual representation of real people listening to and liking my music.
Anyway, if you are one of these real 101 persons following me on Spotify. THANK YOU! If you are not, here is the link. :)
Latest modded Game Boys, Gray, Yellow, Green
Quarantine time is a great time for modding. Here are three new mods I did a couple of days ago. Original stock shells in Gray, Yellow and Green. As usual these Gameboys are shock full of mods for sound and video: Backlight, Bivert chip, Glass screen, Prosound, Cap on powerstrip, Bass mod, new silicon parts and switched or new buttons. Available for sale on my Ebay page, until sold of course. :)
The Inbetween, new single out Friday April 17th
Horray! My next single is done and ready for release.
Set your calender to Friday April 17th or use this link as a reminder. Just like my last tune Two Waves Colliding it was made on real analog intruments in the studio, like the Arp 2600 clone TTSH (Two Thousand Six Hundred Mini Meanie) and the Roland SH-09. It was then mastered using a combination of software (like Izotope Ozone 9) and real hardware, like my Pultec EQ clone and the Prime 4000e SSL mixbus compressor clone.
The Inbetween is a synth heavy dance tune with a focus on melody and atmosphere.
What I’m listening to at the moment: Alex Banks, Purl, Sinius, Matt Morton
It’s time again for that special little list of music I’m currently listening to. Stuff I’ve tended to gravitate towards for the last couple of months or so. Here we go..
Alex Banks – Beneath the Surface
Another under the radar release for me, from Max Cooper’s Mesh label in June 2019, this is one of the best Berlin’ish techno/almost techno album I’ve heard in a long time. Listen to this if you are into acts like Moderat, Modeselector etc. Alex Banks used to tour with Moderat, which becomes pretty obvious listening to this album.
Purl, Sinius – Oceans of Sound
Co-lab album from Sweden’s Purl and UKs Sinius is an expedition into super-relaxing ambient landscapes, always blissful, sometimes with a hint of dub. Very well produced stuff and one of the best ambient albums I’ve heard in a while.
Matt Morton – Apollo 11 (Original Motion Picture Soundtrack)
Matt Morton gives his Moog system a spin and comes up with a top notch soundtrack for one of the, in my humble opinion best movies of 2019. This one should be enjoyed with headphones.
Two Waves Colliding, new single out now
I’m happy to announce that my first release in over two years is now available on Spotify and all the other usual places.
If you like this tune, please don’t forget to tell all your friends and click on the follow button on my Spotify artist page.
Let me know what you think of the tune over on the official Björn Fogelberg Facebook page.
Follow me on Spotify
Dear Fogelberg.com visitor, please click the link to follow me on Spotify.
Why? Well, please let me explain: First I would like to say thank you for visiting Fogelberg.com. It means a lot to me. Now I have a small favour to ask you. As you might know I have a new single coming out on Spotify Friday next week. The problem is my music isn’t really in their recommendation loop, and that means not a whole lot of people are going to hear it.
What I need for that to happen is simply more followers on Spotify.
So, if you like my music and have a Spotify account, I would be super happy if you go to my artist page on Spotify and click the Follow-button.
That’s it. Thank you in advance.
Two Waves Colliding, new single out on Friday Feb 14th
My first official tune since Focus in 2017 is about to hit the streaming services.
Two Waves Colliding is a epic synth heavy modern dance tune, with some serious retro vibes and a catchy melody. It is my first single in a line of.. many, not sure how many just yet though. For those interested in synthesizers and such things, Two Waves Colliding was built around an arpreggio-sequence I created on my self-built TTSH (Two Thousand Six Hundred mini Meanie), which is a clone of the famous old Arp 2600 semi-modular synth. Other notable synths used were the Sidstation and my Roland SH-09.
Bookmark your calender to February the 14th, or even better click this link to pre-save it in Spotify right now to make sure you don’t miss it.