Just a new techno track
Some techno I put together with my modular. Enjoy!
Some techno I put together with my modular. Enjoy!
I noticed I haven’t written much here for the last couple of months so here is a little update about whats going on with my music. Well, first of all it seems that I am really doing a third full length album. So far I have five finished songs for it and seeds for 2-3 more.
I don’t have any record deal but all those things are kind of in the future, as I don’t know when I will have finished enough tracks to call it a full lengther. If I don’t get a deal with a really good company I will probably just release it myself and sell it on my Bandcamp page et cetera. Yes I have a Bandcamp page now, but I’m not really doing much to promote it or the rest of my music. That’s something I actually should be better at again.
The studio is in a constant flux. Sometimes new things are brought in, while older are sold off. Here is a recent picture of me, sitting where I feel the most comfortable. In the center of the studio.
I’ve finally had some time to sort through all the pics I took at this years Sonar festival. Here are some of them. Check it out.
Let us take a trip down memory lane to the year of our lord 1989. The Commodore 64 and Amiga demo/cracker scene had become quite big among us geeks of northern Europe. My team XAKK had released demos for the C64 for more than two years by now. Truth be told, we were beginning to feel a bit like, “was this all there was to it?”. Maybe we were just getting a bit too old for it all.
The Ikari & Zargor meeting in Slagelse, Denmark, on the 23-25th March 1989 was the first nail in the coffin for us. We were supposed to finish and release the demo Bound to be best but had to shelf our plans because of constant power cuts. Since we were quite a competitive little bunch and really wasn’t there to play around (Remember, the oldest of us were 20 at the time), we decided to leave the party and finish the demo at Vivaces place in Sweden. Bound to be best was to become our second last demo ever on the Commodore 64.
This could be interesting when it’s finally released. Still under development, there’s not much info available on the BitRumble, except that it has 5 channels with separate analog-like synthesis and a 15 step sequencer with 8 selectable patterns.
As some may or may not know I was pretty deeply involved in the so called Commodore 64 scene from around 1986 to 1990. I was the co-founder and musician/graphics guy of a Swedish demo and cracking group called XAKK. Rob Hubbard was one of my major inspirations for my music back then. Here is my personal top ten list of the best pieces of C64 music created by the one true SID-god, Rob Hubbard.
Edit: Actually there are 11 entries on the list since I originally forgot to include one of the best Hubbard tunes – Zoids.
This was one of the first games I played on the Commy. Even though the tune by Hubbard isn’t as good as the other ones in this list, it still holds a lot of sentimental value to me.
This is another amazing high energy piece by Hubbard that makes you want to dance. It builds and builds with different variations on the same theme. There are some really crazy arpeggios in there.
The game was great and I played it a lot back when it was released. The slow title tune by Hubbard borrows quite a lot from Ryuichi Sakamoto’s “Forbidden Colours” from the movie “Merry Christmas, Mr. Lawrence”.
Another one of the classics. The melody is almost melancholic. It has a really cool break with hypnotic noisy beats and a haunting melody. I played the game a bit when it was released. It was pretty decent for a budget game.
Another game that I never really played. The tune by Hubbard is a slow piece with hints of sadness and almost despair in some parts. Note how the melody always goes down, down. Masterly programmed.
A simple and catchy melody. I like the way the background sounds melt together with the chords. It’s a tune that makes me happy. The game was easily forgotten but the music still holds to this day.
The game itself was a pretty standard vertical shooter but the music.. Atmospheric and epic. One of most toned down tunes from Hubbard. Still gives me the chills listening to it now, almost 30 years later.
I remember I was totally blown away when I heard this piece of music for the first time. The intro was so unusual – building up for something, and then BAM, a complex bassline and an almost oriental sounding lead. A very avant garde game tune at the time.
This track is actually based on “Ancestors” from the Synergy album Audion. I remember I bought the LP back in 86 or 87 and instantly recognized it. So Hubbard borrowed quite o lot at the time.. Still this is one of his best, powerful but with lots of feels, especially around the 2.00 mark. That melody gets me every time.
One of the best demonstrations of the, for the time, complex sounds that Rob Hubbard could squeeze out of the SID-chip. There are so many things happening in this track. I like how the melody and the arpeggio chords always match perfectly together, and how he throws in all these effect sounds here and there and still manages to keep everything working as a whole.
Delta is still considered by many to be one of the top five games ever released on the Commodore 64. Developed by Finish programmer Stavros Fasoulas, it had this killer title tune by Rob Hubbard. After so many years, this one still gets me all misty eyed. Such a simple but effective melody. Still the number one C64 tune for me.
So that was my top 10 list of the best Rob Hubbard tunes ever created. If you are interested in the music I created on the C64 in the 80s you can listen to it here.
Check out this little cool online tool that lets you write funky beats with your keys. Fun stuff! Created by Kyle Stetz.
Fogelberg.com now automatically adapts its layout to look good on more devices than just a desktop browser. This should have been done ages ago, considering my full time job is in responsive web design. :) There are still some bugs to iron out, mostly with how the site looks on different browsers and mobiles.
I have been using the excellent music distribution service Distrokid for a couple of years. Once in a while they add more stores and streaming services that you can put your music on, but I somehow never seem to find time to actually do that, until a couple of days ago..
Now almost all releases on my label XAKK are or will be available on Amazon, Beats, Deezer, Google Play, iTunes, Rdio, Spotify, Tidal and YouTube.